work to live.

 
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Process Art

 

Robert Morris

sculptures in felt (1969, 1970)

   
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The Industrial Revolution has been a catalyst for many changes in modern society.  With the invention of the power loom in 1785, cloth was the first material to be industrialized on a massive scale. (Reuter)  In 1833 the sewing machine was invented.  Women’s roles and the status of cloth were irrevocably changed from this period on.  Women’s roles in the home transitioned to that of factory assembly lines.  Industrialization made the commodity of cloth readily available to the masses at an affordable price thus altering the way we value it forever.  As a reaction to the low and homogeneous quality of mass produced fabric and goods, the Arts and Crafts movement was founded in 1888 in England.  Their goal was to reform and raise the level of design and craftsmanship, and to promote the handmade.  However, the industrial revolution had already taken over; time was short and affordability more important.  The general public no longer wanted to pay for hand-made objects when they could choose from an array of affordable mass-produced goods.  Textiles became a material of utility and function.  However, the Arts and Crafts movement was instrumental in bringing craft into the conversation of Fine Art.

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Process Art - mid 1960s

Process Art Emphasizes the "process" of making art (rather than any predetermined composition or plan) and the concepts of change and transience, as elaborated in the work of such artists as Lynda Benglis, Eva Hesse, Robert Morris, Bruce Nauman, Alan Saret, Richard Serra, Robert Smithson, and Keith Sonnier.  Their interest in process and the properties of materials as determining factors has precedents in the Abstract Expressionists' use of unconventional methods such as dripping and staining.  In a ground-breaking essay and exhibition in 1968, Morris posited the notion of "anti-form" as a basis for making works in terms of process and time rather than as static and enduring icons, which he associated with "object-type" art.  Morris stressed this new art's de-emphasis of order through nonrigid materials and the manipulation of those materials through the processes of gravity, stacking, piling, and hanging.


Process artists were involved in issues attendant to the body, random occurrences, improvisation, and the liberating qualities of nontraditional materials such as wax, felt, and latex.  Using these, they created eccentric forms in erratic or irregular arrangements produced by actions such as cutting, hanging, and dropping or organic processes such as growth, condensation, freezing, or decomposition.

Guggenheim Collection - Glossary - Process Art

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